Studio La Beaute mentioned in the Globe & Mail

I knew they were up to something last time I stopped by the studio. If you haven't seen it already, check out the article in the Globe & Mail. There are also 10 pictures I am sure you don't want to miss. Check out the intricate details on the material. This is real couture design. Such stunning work. Congratulations to Camal and his staff on a great article!   http://www.theglobeandmail.com/life/home-and-garden/decor/couture-drapes-handmade-fashion-doesnt-just-walk-the-runway/article10733850/

Update from the Gallary.....

I haven't been in to see the gallery for sometime now. I figured I would pop by and see what new and exciting things we could expect for the upcoming summer. I had hoped to bump into Camal, but as always he was working off site. I spoke with someone there who told me they are so busy working different projects right now, She wasn't sure of any show coming up. However, what she was able to share with me was that the Globe and Mail were in their studio just yesterday gathering information for an upcoming article. I'm not sure exactly of the release date, but she had promised to keep me in the loop. So, as I may not have much to blog about today, it looks like I will have my hands full over the next few months. Keep following me as I continue to keep you updated on Gallerbespoke. Cheers.

Toronto International Design Show 2013

I recently got to sit down with one of Toronto’s greatest hidden gems, Mr. Camal Pirbhai. Starting his career in Europe and bringing his passion for couture design here to Toronto. Camal recently did a piece for the Interior Design Show 2013. Looking at this art piece through pictures, I must say doesn't do it justice. I was really lucky to be one of the people to view this piece in person. At first sight I was shocked by the visual and yet I felt myself wanting more.

Camal is a super busy man and so I had to get in, ask my questions and hope for the best.

                           The detail on this doesn't come through on a picture. It was incredible to see in person.

                                  Camille Turner famous Canadian artist lending a hand on the piece.

Camal is a perfectionist and it shows in all he does.

What inspired you for this project?

  My muse is my daughter but I wanted a more mature piece. The theme is about the intangible things we inherit that influence how we interpret our experiences. I just wanted to create a piece that played on that theme.

I absolutely love the detailing of the fabric.

 How did you choose the right materials for this project?

  When I approach a project I am like a cook in a kitchen with many spices in a cupboard. I just use what I want without overdoing it. I have to be sensitive and use the right tools to express my thoughts. 

To someone without the mind of an artist, they may look at this and ask why some sections are designed with beading and others have been left clear. Can you explain why it was set up this way?

  There are two panels with the same free hand design, but each side has been interpreted differently. The right side is more of a classic feel, more traditional hence the materials I used. It is also more conformed to be organic. The left side however, is more of a digital effect. There are clusters of metal and glass to create that three dimensional effect. Everything is connected and aliened by a metal wire on purpose.

The lighting is perfect and seems to really bring an incredible element to the piece. Was this done on purpose?

  Absolutely. The lights are programmed in a “pulse” like motion. It makes the audience think that it’s alive and breathing. It’s all sewn into the material; it glows from the outside of the fabric. The irony with this element is that it’s the only part that is not a natural. It feels alive, but it’s not.

I've noticed with this piece and others you've created in the past; that you tend to use softer tones, more neutral colours. Is there a reason for this?

  People are not generally used to looking at details. Since my work is all about the detailing, I would be concerned with using colour as it may distract people from what I am trying to get across. I've created a piece here that with detail alone is saying so much. Adding colour may have confused it.  

It is pretty clear to the “on- looker” that this piece has a religious feel to it. With religion being such a touchy subject for many, did you feel at all concerned with having an African American pope?

People were mesmerized for days and lining up the entire show. 

Camal hard at work to get things just right before the show.

  People tend to have pre-conceived notions on everything. I enjoy playing with those ideas. I strive to challenge people and their imaginations. Iconic images that allow people to think when they are being altered. Some individuals were offended while others laughed. At the end of the day my goal is to get the audience to have an emotional reaction. 

With that, Camal then had to go. We didn't get to speak long and there sure were many other questions I had for him. But, I will be following him on his next adventure and hopefully will get more answers into the great mind of artist and professional Camal Pirbhai.

Meeting the man behind it all

 The type of art I really enjoy is really anything “different”. As I can appreciate the typical styles of art, like photography, paintings, and sculpture. My passion has now grown for independent artists who seem to think “outside” the box.

Walking through the streets of Yorkville I came across a studio called Gallery Bespoke. I had never seen anything like this before. In fact, I almost didn't want to go inside as it wasn't your typical art exhibit in the window and what I did see, I wasn't sure of. My eyes have now been exposed to something refreshing, something old, something new, simply, great artistic skills that can be created to be a part in anyone’s home.

As I was standing outside, I had the honor of meeting the artist of the studio Mr. Camal Pirbhai. He asked what I thought of the works in the window. I was honest and explained, as “pretty” as it was, I didn't really “Get it”. He laughed and invited me in. I was shocked when I went indoors. There were so many art pieces that would be considered “Eye candy” for any couture fan. Camal was a breath of fresh air. He was patient and answered, for the most part, most of my questions. He went through some of the theory behind his works of art, but then wanted to know my true reaction to most. What I found endearing, was that Camal wasn't just this big time couture designer with too much time on his hands; he was a personable artist who really wanted to dig deep into the thoughts behind each piece that had been created. Camal brings such detail to all of his works of art. His creations are like none other I have ever seen before. Yes, there are some pieces I may question where the idea came from, but after meeting the man behind the art, I realized not everything needs to be understood to be appreciated.

He showed me his curtain line. The only word I was able to mutter was “WOW”. I didn't know we had such a talent in couture design here in Toronto, or at least I hadn't met anyone like this before. He brings forward such incredible detailing and a maturity I haven’t seen anywhere else.

I have decided to keep a blog on Camal as a tribute to a great creator who believes style and art can be a winning combination for anyone’s home.

#25 Eames Chair reDesigned

As you are aware, Camal Pirbhai redesigned an Eames-style chair for the Textile Museum of Canada (TMC). After five days of preview at Bonhams, the evening gala took place at Hazelton Lanes in Yorkville last Wednesday.

TMC reDesign gala, before the show started, 2012